This is a new printing on sturdy acid-free paper. 16 pages. All markings are
original. These two iconic pieces are presented together by Gottfried Federlein,
whose father was a Wagner scholar and promoter associated with the Metropolitan
Opera of New York City. Highest quality guaranteed. Size of music
is
9.5" x 12.5". $12.00.
Richard Wagner (1813–1883) was largely self taught in music.
The
Meistersingers from Nuremburg, completed in 1867, was his only comedic
opera, but this is not evident in the “Prelude to Act III.” These
themes are still recognized by many and represent a strong contrast between
light, fast flute passages and the heavy brass and percussion finale.
Gottfried H Federlein (1883-1952) was born in New York City, the second
son of Gottlieb H Federlein, a Jewish organist (student of Rheinberger) and
voice teacher, and Ella Harrison, a contralto soloist. Gottfried began his
music study at an early age, began playing Episcopal services at age 17, and
was awarded the FAGO at age 20. He was supportive of Robert Hope-Jones and
the Wurlitzer “Unit Orchestra” and continued his use of colorful
solo stops throughout all of his playing and compositions. He is best remembered
for his 30 years at Temple Emanu-El in New York. You will notice that this
transcription is dedicated to
Will
C Macfarlane. Moderate.
