Samuel Brenton Whitney (1842–1914) was the organist for the Church of the Advent in Boston, Massachusetts, taught at
New England Conservatory, and was a
founder of the American Guild of Organists. Whitney’s arrangement of a canon by
Friedrich
August Bungert (1845–1915) was published in the same series and in the same year as his own canon, and I put them together to
save publishing costs. His canon is march-like and contains the earliest use of the thumbing-down technique; look at the first ending.
(
Lemare’s Andantino was published in 1892.) Of note is that Whitney’s canon was written for
the 100th organ recital of Clarence Eddy. Bungert’s canon makes a fine prelude. Both are moderate.